Here is a link to the first of my translations of some historical musicological materials:
http://koudasheva.com/s/otto_tidebohl.pdf
"Beethoven’s Violin Concerto in D major Op 61 and its performance in accordance with Joachim’s traditions."
written by Otto von Tideböhl and published in the Russian Musical Gazette in 1909.

Since the discussion is on interpretation, I have aimed to keep as close as possible to the original, sometimes at the expense of the 'modernness' and flow of the language.

It is hard to conclude the extent to which this article reflects Joseph Joachim’s interpretation traditions. However, in any case, it is of significance in the field of historical performance, as it is a record of the interpretative processes of Tideböhl, a late 19th-early 20th century violinist.
Otto Fyodorovich von Tideböhl (5.2.1963, Voronezh, Russia – 15.8.1918, Voronezh, Russia) was a violinist, composer and pedagogue. His teachers are said to have included Leopold Auer and Gustav Hollaender, both students of Joseph Joachim. Tideböhl concertised extensively in St Petersburg, abroad and in provincial Russia. It was in provincial Russia, that Tideböhl’s educational work was especially important. Tideböhl has also composed a number of violin works and wrote a treatise on violin pedagogy.

Translations will be found in the following section of the website: